![]() While Biel struggles to get through Moi's dazed barrier, Mia silently worries that Moi isn't taking his meds. It's somewhat talky and rambling, only rarely sparking to life, but finds some strong resonance.Įngulfed in grief following his mother's death, Moi (Gomez) travels to his family's old farmhouse with his boyfriend Biel (Sagardov) to spend time with his sister Mia (Cusi). Writer-director Borja de la Vega creates a remarkably engaging dynamic between these four people, nicely highlighting various textures in their personalities while making terrific use of the isolated countryside settings. Gently observational, this Spanish drama subtly unpicks its characters' emotions as they grapple with big issues like grief, mental illness and challenging relationships. With Bruna Cusi, Ricardo Gomez, Eneko Sagardoy, Joe Manjon It's about a sinister battle, based on greed, that undermines the foundations of society. This is an astonishingly sure-footed depiction of the point where politicians and bankers collide and collude, encircled by the super-rich class they are determined to join. The imagery and themes echo Conrad's classic Heart of Darkness as Yvan voyages into true horror. The film is expertly shot and edited to reveal telling details in each scene, with dialog that drops continual bombs. The supporting cast members play a fascinating range of characters, each with his or her own rippling impact. And this extends to his relationship with Ines, whom Cleu plays as fiercely intelligent, never missing a thing, ready to give Yvan a nudge with a vicious verbal jab. Rongione is terrific at the centre as a brilliant man on a voyage into a seriously evil world. And they're so rich that they feel untouchable. The question is how far Yvan is willing to go.Įach performance has a staggering sense of depth, as if we are watching people who have deep secrets that guide their every word and action. Everyone speaks in muted tones about the murderous military regime, and Yvan realises that his clients are deeply entangled with it, some having gone over to the dark side themselves. Spanish, French and English swirl through the dialog (the title means "hush" in a family dialect), while corners of the frame are filled with telling details about the brutal ruling junta, from reports about currency devaluation to young people detained in the streets. ![]() There are also rumours about Keys' depravity, even though most clients speak of him as a close friend. But they begin to hear whispers that the wealthy are under threat from the military government, with children disappearing and assets seized. They are also travelling around the country to assure Yvan's old money clients that he has everything under control. ![]() Travelling from Geneva to Buenos Aires, private banker Yvan (Rongione) and his wife Ines (Cleu) are looking for his local partner Keys, who has gone missing. And where it goes is viscerally haunting. It's an understated, slow-burn thriller that never breaks out into action, remaining internalised and gnawingly nasty. Writer-director Andreas Fontana creates a dryly churning atmosphere that draws the audience into its deeply unsettling realities. Set in 1980 at the height of Argentina's Dirty War, this dark mystery unfolds enticingly due to clever, ambitious filmmaking touches that open up the story and themes.
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